Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Saturday, 28 March 2015

Top Tips for Collecting Original Prints

Many of our customers ask for advice about collecting original prints. In this blog post we have put together a list of help and tips when collecting prints. There are so many different factors to take into consideration when collecting prints and in this guide we have covered the most important. Please feel free to ask any questions in the comments or let us know if we have missed anything out!

Rob Ryan
'Why Are You So Naughty?' screen print by Rob Ryan


Prints

We sell both limited edition prints and open edition prints by printmakers, illustrators and artists.

These prints are original works of art and not reproductions as the finished piece (or intended piece) is the print. A reproduction is an identical copy of an original in a different medium such as a giclée print of a painting (not an illustration, as the illustration is not the intended final piece).

The most important thing with collecting prints is to buy something you love and would be happy to keep for a long time.

View all prints and artwork on our website here

Bow Wow Cake Print - Alice Patullo
'Bow Wow Pie' limited edition screen print by Alice Pattullo


Artists

A lot of people find a particular artist they like and collect work over the course of many years. Look out for artists whose work you are drawn to. Early career artists can be a good buy, but if you are looking for an investment piece, mid career artists are safer.

View all artists on our website

Gemma Correll
'Hibernating' by Gemma Correll from a previous Christmas exhibition. We sold the original drawing and giclée prints.


Medium

Hand printed pieces like screen prints, etchings, traditional lithograph (not offset litho) or lino cut prints are more likely to keep or increase in value than giclée prints, risograph prints or digitally printed pieces.

Look out for interesting techniques, or artists using a mixture of mediums, e.g. Graham Carter using foil block and silkscreen printing together.

We prefer hand printed artwork but printing technology is improving all the time and giclee prints are usually guaranteed lightfast for 80 - 100 years when cared for correctly, keeping their value and collectability.

A tip when considering a giclée print is to consider whether it would be possible to get the same effect from a different medium. A good example is the luminescence that Graham Carter is able to achieve from using gradient blends in his giclée prints. The effect would be almost impossible to achieve with screen printing. Click here to view 'Yeti Hibernation' by Graham Carter.

Hand printed by the artist is desirable but not essential. When professionally screen printed, the quality can be amazing.

Read about Printmaking on Wikipedia here.

Andy Smith at Soma Gallery, Bristol
'Your Type' screen print on wood by Andy Smith


Signed and Numbered

Limited edition prints are the ideal investment. A low number is thought to be good, but in fact each number is worth the same as each print in the edition is identical. Some collectors like particular numbers. Small editions are more desirable as they are more exclusive. As are first editions of prints, although if a print has had a second edition (a second print run), it can increase the price of the original edition. Look for a number such as 10/50. This means this is number 10 of an edition of 50 prints.

Leaves School Chart by Tom Frost
'Leaves School Chart' by Tom Frost from a small edition of just 35

If buying from a series of prints, although very difficult to do, try to buy them all with the same edition number.

Artists proofs are something to keep an eye out for. They not part of the numbered print run and can contain interesting quirks which can make the print more collectable. They will usually not be numbered and be marked with A/P. Occasionally there will be a certain number of proofs and will be numbered such as A/P 1/10 or AP IV.

Open editions are generally less desirable to collectors, although if only a small number has ever been produced of a particular print, it could be more collectible.

Also note that when a print run is about to sell out, the price can often increase.

Strongman by Spencer Wilson
'Strongman' by Spencer Wilson, signed and numbered in the bottom corners.


Special Editions

Sometimes a print run will be created specially for a project or event. These can often be particularly sought after and can often be priced lower than the artists usual artwork. For example: we worked with Peskimo and Tom Frost to each create an exclusive print for Not Another Bill and were sold for just £15. Another example is 'If You Could...' who sold two colour screen prints by artists such as Rob Ryan and Anthony Burrill for £40 each. An original screen print by Rob Ryan usually sells for around £250 - £350. Rob Ryan's 'If You Could...' print has since popped up on eBay and sold for in the region of £200 plus. These are great things to keep an eye out for!

Prints and badges - Soma for Not Another Bill
Peskimo and Tom Frost for Not Another Bill

Our 10 year anniversary set of prints are a great item for a collector or someone starting their collection. As an exclusive collection of limited edition prints in a small run of just thirty, someone could either pick and choose from the set or purchase the full set presented in a box.

Soma 10th Anniversary Prints
Prints from Soma's 10th Anniversary Edition.


Caring for your prints to keep their value

Try to avoid handling as much as possible. Hands must be spotlessly clean and do not use hand cream which can leave a greasy residue on the artwork. Cotton gloves can be used.

Pick up prints using both hands to avoid creasing or crimping. If you are unused to handling prints then if you pick up the print at diagonal corners you will avoid any damage.

Keep out of direct sunlight. Try to avoid hanging valuable artwork above radiators and keep away from open fires to avoid smoke damage.

If you plan to store your prints for any length of time, you should ideally remove them from tubes and store flat. It may be worth investing in a portfolio case. Use protective acid free tissue paper to keep your prints in top condition.

If hung against against an outside wall, make sure there is space between the frame and the wall to allow for airflow which will prevent any condensation which can damage the print. Check periodically.

Keep in a cool, dry, well ventilated place. Changes in temperature and humidity can affect paper.


Trimming

Do not trim your print to fit a frame unless it has been printed on oversized paper allowing this. If in doubt get advice from your framer or from the place you have bought the print from.


Sally Elford print about to be framed.
'Northern Lights' by Sally Elford being measured for a mount so the paper doesn't have to be trimmed.


Hopefully this guide will work as a starting point to help you to start a collection!

Thursday, 12 February 2015

Next Exhibition - Anna Marrow Solo Show

Midnight in the Metropolis

Next Exhibition: Anna Marrow
Private View 7pm-9pm Thursday 19th Feb, exhibition opens Friday 20th February and runs throughout March.

Our next exhibition features the stunning screen prints from Bristol based printmaker, Anna Marrow. We are holding a private view on Thursday 19th February between 7pm and 9pm if you are in Bristol and would like to preview the exhibition first! There will be drinks and nibbles provided.

Anna Marrow is a printmaker, illustrator and image-maker based in Bristol. She studied Fine Art in Bristol, then Communication Design at Central Saint Martins, specialising in illustration and now prints at Spike Print Studio.

She works with household paints, biros, fine liners, pencil crayons and screen print. Most of the prints start off as biro and ink drawings in her sketch book, then turn into collages, and then screen prints.

Anna makes surprising, sometimes humorous or alarming images by combining mundane objects and environments with exotic creatures and characters. She like to pin point a specific moment in time and is drawn to objects from her childhood such as 70’s televisions, radios and cars which all feature heavily in her work, as do urban and suburban landscapes.

You can view some of the prints by Anna on our website here.


Magic in the Metropolis


Lighthouse in Sagres

Thursday, 22 May 2014

The Current Exhibition is Now OPEN!

The Current

The Current opened in glorious sunshine last Saturday and was a great success. All the prints are now available to buy on our website. Originals and framed pieces can only be purchased in the gallery. The Current runs in our gallery space on the first floor until 28th June.

The Current, a group exhibition coinciding with the 10th Birthday of Soma Gallery, brings together the work of five contemporary graphic artists. Adam Bridgland, Matthew Green, Adam Hayes, Lucy Gough and Jessica Wilson have all exhibited widely throughout the UK and internationally and have completed major commissions for clients such as Nike, Uniqlo, the Guardian and You Tube. They are also held in a number of important collections like the Victoria and Albert and the British Musuem. The Current is an exciting, fresh and vibrant exhibition showcasing recent works, including a number specially launched for this show.

View all the work on our website here

View all photos on Flickr here

The Current


The Current


Window drawing by Adam Hayes


The Current

Wednesday, 19 March 2014

Next Exhibition: The Current

Jess Wilson

Next Exhibition: The Current
Featuring Adam Bridgland, Jess Wilson, Adam Hayes, Lucy Gough and Matthew Green
Opens Saturday 17th May and runs until 28th June

Jess Wilson (image top)

Jess Wilson graduated in 2006 and has been living and working in London ever since. Graduating from university with a 1st degree honours in Graphic design she started straight away getting her illustration work out there. Jess has worked with top clients producing big jobs for magazines, clothing ranges, prints, books and packaging. As well as working with clients Jess tries to get involved in as many exhibitions as possible and carrying out self initiated projects.


Adam Hayes

Adam Hayes

Adam Hayes is a specialist in hand-rendered typography and intricate, intelligent illustration.

His prolific work style has generated an impressive portfolio that reflects an interest in vernacular lettering and a fascination with urban and natural landscapes.

Adam’s creative process see’s his simple pencil sketches transformed and refined into elaborate and optimistic illustration. Each project is concept-driven, allowing his work to grow and maintain a sense of energy and sophistication.

A graduate of the Royal College of Art, Adam has since established a diverse client base which welcomes collaboration with global companies, charitable organisations and small, local start-ups.


Adam Bridgland

Adam Bridgland

Born in 1979, Adam Bridgland studied printmaking at Norwich School of Art & Design and then studied at the Royal College of Art (MA Fine Art Printmaking).

Since graduating in 2006, Bridgland has used a diverse range of materials and working methods to pursue an incisive and often witty exploration of distinctively British sentiments, externalising the underlying sense of loss and nostalgia that permeates our memories.

He has exhibited widely in the UK, America, Europe and Asia. The British Museum, the V&A, UBS, Boeing Asia and Debbie Harry are just some of the collectors of Adam's work. In July 2009 Adam was awarded his first major public art commission by Commissions East. He completed his second public art commission for SmartLIFE in Cambridge in November 2011.


Matthew Green
Matthew Green

Matthew Green excels in producing beautifully hand-drawn illustrations, his signature style is often compared to wood-cut prints and etchings. Beyond this craftsmanship and at the heart of all of Matthew’s work lies an enormous sense of fun. He creates worlds and moments where fantasy can meet the most mundane; from a voyeuristic zebra who resides in an old wooden shed to a glamorous blue tit dining for one.


Lucy Gough
Lucy Gough

Lucy Gough studied Creative & Cultural Studies at Norwich School of Art and since graduating in 2002 has exhibited extensively throughout the UK and beyond.

Lucy’s most recent work draws inspiration from a variety of sources including architecture, industry and the solar system. The stylised representation of everyday objects and use of hand drawn type are recurrent themes in her artistic practice. The content of the text varies in its sentiment from poetic to purposeful to playfully ironic.

Thursday, 20 June 2013

New Artist: Hazel Nicholls

hazel-complete-large-hires

Hazel Nicholls is one of our latest additions to the Soma artist lineup. She joined us at Pick Me Up where her screenprints proved very popular. The fluro pink Russian Doll print below was probably the most photographed piece on our stand!

fluro pink dollforweb

Hazel Nicholls is 31 and lives in South East London. Thirteen years ago she moved from Northern Ireland to attend Camberwell College of Arts. She left Camberwell with a degree in Illustration. Hazel loves Real Ale, the seaside, ten pin bowling and of course a good pun. Her work is mostly influenced by a longstanding love of cross stitch and an interest in old phrases. Her designs have found themselves on limited edition prints, ceramics, textiles, packaging and more recently a giant fibre glass egg (as part of the Faberge Big Egg Hunt, 2012). She learnt how to screenprint four years ago and she hasn’t looked back since.

starprint

You can view all items by Hazel on our website here including silkscreen prints, tea towels and tape.

Saturday, 13 April 2013

Changes to Opening Times and Online Delivery in April

PMU banner 2

While we are in London at Pick Me Up fair, opening times will be slightly different to usual and some online shop orders may be slower than usual during the set up and first few days of the fair (15th -.22nd April).

Soma will be closed Tuesday 16th April.

We will not be offering express delivery services until Wednesday 24th April.

If you are making a special journey or need a parcel by a specific date, please get in touch by phone or email.

Pick Me Up runs from 18th - 28th April 2013 at Somerset House, Embankment entrance, London and is open 10am - 6pm Tuesday - Friday, with late night opening on Thursdays 18th & 25th until 10pm.

Tuesday, 25 October 2011

Tatty Devine Workshop at Soma

Tatty Devine Workshop at Soma

Tatty Devine Workshop Saturday 12th November 2pm - 4pm 

Rosie Wolfenden and Harriet Vine, the ladies behind Tatty Devine will be coming to Soma on Saturday 12th November to host a rosette making workshop! They will be signing copies of their new book, 'How to Make Jewellery with Tatty Devine' and teaching you to make a classic Tatty Devine rosette, one of the projects in the book. We will be holding this workshop in our first floor space.

There will be tasty cakes and refreshments to keep you going provided by Lahloo Tea! Plus some extra special cakes provided by Bristol's biggest Tatty Devine fan, my sister!

We first started selling Tatty Devine jewellery in Soma in 2005 and they've been really popular ever since! Do keep this date in your diary!

View Tatty Devine jewellery on our website here 

Go to the Facebook event page here

Tatty Devine Workshop at Soma
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