Showing posts with label limited edition. Show all posts
Showing posts with label limited edition. Show all posts

Saturday, 28 March 2015

Top Tips for Collecting Original Prints

Many of our customers ask for advice about collecting original prints. In this blog post we have put together a list of help and tips when collecting prints. There are so many different factors to take into consideration when collecting prints and in this guide we have covered the most important. Please feel free to ask any questions in the comments or let us know if we have missed anything out!

Rob Ryan
'Why Are You So Naughty?' screen print by Rob Ryan


Prints

We sell both limited edition prints and open edition prints by printmakers, illustrators and artists.

These prints are original works of art and not reproductions as the finished piece (or intended piece) is the print. A reproduction is an identical copy of an original in a different medium such as a giclée print of a painting (not an illustration, as the illustration is not the intended final piece).

The most important thing with collecting prints is to buy something you love and would be happy to keep for a long time.

View all prints and artwork on our website here

Bow Wow Cake Print - Alice Patullo
'Bow Wow Pie' limited edition screen print by Alice Pattullo


Artists

A lot of people find a particular artist they like and collect work over the course of many years. Look out for artists whose work you are drawn to. Early career artists can be a good buy, but if you are looking for an investment piece, mid career artists are safer.

View all artists on our website

Gemma Correll
'Hibernating' by Gemma Correll from a previous Christmas exhibition. We sold the original drawing and giclée prints.


Medium

Hand printed pieces like screen prints, etchings, traditional lithograph (not offset litho) or lino cut prints are more likely to keep or increase in value than giclée prints, risograph prints or digitally printed pieces.

Look out for interesting techniques, or artists using a mixture of mediums, e.g. Graham Carter using foil block and silkscreen printing together.

We prefer hand printed artwork but printing technology is improving all the time and giclee prints are usually guaranteed lightfast for 80 - 100 years when cared for correctly, keeping their value and collectability.

A tip when considering a giclée print is to consider whether it would be possible to get the same effect from a different medium. A good example is the luminescence that Graham Carter is able to achieve from using gradient blends in his giclée prints. The effect would be almost impossible to achieve with screen printing. Click here to view 'Yeti Hibernation' by Graham Carter.

Hand printed by the artist is desirable but not essential. When professionally screen printed, the quality can be amazing.

Read about Printmaking on Wikipedia here.

Andy Smith at Soma Gallery, Bristol
'Your Type' screen print on wood by Andy Smith


Signed and Numbered

Limited edition prints are the ideal investment. A low number is thought to be good, but in fact each number is worth the same as each print in the edition is identical. Some collectors like particular numbers. Small editions are more desirable as they are more exclusive. As are first editions of prints, although if a print has had a second edition (a second print run), it can increase the price of the original edition. Look for a number such as 10/50. This means this is number 10 of an edition of 50 prints.

Leaves School Chart by Tom Frost
'Leaves School Chart' by Tom Frost from a small edition of just 35

If buying from a series of prints, although very difficult to do, try to buy them all with the same edition number.

Artists proofs are something to keep an eye out for. They not part of the numbered print run and can contain interesting quirks which can make the print more collectable. They will usually not be numbered and be marked with A/P. Occasionally there will be a certain number of proofs and will be numbered such as A/P 1/10 or AP IV.

Open editions are generally less desirable to collectors, although if only a small number has ever been produced of a particular print, it could be more collectible.

Also note that when a print run is about to sell out, the price can often increase.

Strongman by Spencer Wilson
'Strongman' by Spencer Wilson, signed and numbered in the bottom corners.


Special Editions

Sometimes a print run will be created specially for a project or event. These can often be particularly sought after and can often be priced lower than the artists usual artwork. For example: we worked with Peskimo and Tom Frost to each create an exclusive print for Not Another Bill and were sold for just £15. Another example is 'If You Could...' who sold two colour screen prints by artists such as Rob Ryan and Anthony Burrill for £40 each. An original screen print by Rob Ryan usually sells for around £250 - £350. Rob Ryan's 'If You Could...' print has since popped up on eBay and sold for in the region of £200 plus. These are great things to keep an eye out for!

Prints and badges - Soma for Not Another Bill
Peskimo and Tom Frost for Not Another Bill

Our 10 year anniversary set of prints are a great item for a collector or someone starting their collection. As an exclusive collection of limited edition prints in a small run of just thirty, someone could either pick and choose from the set or purchase the full set presented in a box.

Soma 10th Anniversary Prints
Prints from Soma's 10th Anniversary Edition.


Caring for your prints to keep their value

Try to avoid handling as much as possible. Hands must be spotlessly clean and do not use hand cream which can leave a greasy residue on the artwork. Cotton gloves can be used.

Pick up prints using both hands to avoid creasing or crimping. If you are unused to handling prints then if you pick up the print at diagonal corners you will avoid any damage.

Keep out of direct sunlight. Try to avoid hanging valuable artwork above radiators and keep away from open fires to avoid smoke damage.

If you plan to store your prints for any length of time, you should ideally remove them from tubes and store flat. It may be worth investing in a portfolio case. Use protective acid free tissue paper to keep your prints in top condition.

If hung against against an outside wall, make sure there is space between the frame and the wall to allow for airflow which will prevent any condensation which can damage the print. Check periodically.

Keep in a cool, dry, well ventilated place. Changes in temperature and humidity can affect paper.


Trimming

Do not trim your print to fit a frame unless it has been printed on oversized paper allowing this. If in doubt get advice from your framer or from the place you have bought the print from.


Sally Elford print about to be framed.
'Northern Lights' by Sally Elford being measured for a mount so the paper doesn't have to be trimmed.


Hopefully this guide will work as a starting point to help you to start a collection!

Tuesday, 24 February 2015

Two New Prints from Alice Pattullo

Hevva Cake Print - Alice Pattullo

We have two new prints from Alice Pattullo, the first in a series of baking traditions. These first two prints depict the tradition of the Cornish Hevva cake and the origins of the Bow Wow Pie of Painswick in Gloucestershire.

View all work by Alice Pattullo on our website here.

Hevva Cake Print - Alice Pattullo

The Cornish 'Hevva' Cake is a three colour screen print printed in an edition of 30.

The tradition of the Cornish 'Hevva' cake originates from the the pilchard fishing communities. When the fishermen were out at sea, a watchman, known as a 'Huer' would stand on the edge of the cliffs to look out for the pilchard shoals. When he spotted a shoal he would call out 'Hevva!Hevva!' to help the fishermen locate the fish. When the wives at home heard the Huer's cries they knew their husbands would be home shortly. The wives would then make a quick cake full of currants and scored with a criss-cross design to resemble a fishing net full of fish, which would feed the fishermen on their return.

Find the print here.

Bow Wow Cake Print - Alice Patullo

The 'Bow Wow' cake is screen printed in three colours in an edition of 30 and explores the amusing story that supposedly defines the origins of the Bow Wow Pie of Painswick in Gloucestershire.

Once upon a time there were two sisters, each who had a lover from another town. the distance meant their sweethearts visited only very occasionally, but when they did the sisters would bake all sorts of cakes and pies for their arrival to prove what wonderful housewives they would be. However, they soon discovered the irregular visits were because their suitors were really in love with two other maidens from a neighbouring town. As revenge when their suitors came to visit they baked a most marvellous pie. As it was so tasty the men asked for the recipe, only for the sisters to reveal with malice that it was made from puppy dogs. The young men fled in horror leaving the sisters triumphant in their vengeance. These days, the first bow-wow pie, as it has since been named, is celebrated each year on feast day with a fruit pie full of china puppies and a large dog on top.

Find the print here.

Bow Wow Cake Print - Alice Patullo

Monday, 10 October 2011

Soma for Not Another Bill

Soma for Not Another Bill

I was asked by Ned from Not Another Bill to put together the October mailout. For those who haven't heard of Not Another Bill before, it's a fantastic idea by Ned Corbett-Winder, a subscription service where you get a surprise present in the post every month. Each month is produced by a different creative or group of creatives.

Tom Frost print - Soma for Not Another Bill

I asked Bristol based illustrators Tom Frost and Peskimo to each produce a print and a badge for the packs and Glasgow based Lesley Barnes to design a tote. Each pack contained a print, a badge and a tote.

Both Tom Frost and Peskimo hand printed theirs - which was no mean feat! Tom's (pictured above) is a two colour silkscreen print on reclaimed card and numbered using a pin perforating machine and Peskimo's (pictured below) is a three colour silkscreen print. These prints were specially commissioned for Not Another Bill and not available anywhere else!

Peskimo print - Soma for Not Another Bill

Lesley's tote was silkscreened in Cornwall on 100% organic tote bags using environmentally friendly inks. It features the great creatures she has designed for us. She designed the dancing bear tote that we sell in Soma and you can see the bear in the middle of this design.

Lesley Barnes tote bag - Soma for Not Another Bill

You can see more work by Peskimo here, by Tom Frost here and by Lesley Barnes here.

And you can visit Not Another Bill here.

Prints and badges - Soma for Not Another Bill

Saturday, 8 October 2011

Pack Rat by Crispin Finn Exhibition

Pack Rat exhibition by Crispin Finn

Last Friday we had the preview of Crispin Finn's new exhibition at Soma, 'Pack Rat'.

The term Pack Rat refers to people who engage in the excessive acquisition of possessions, even if the items are worthless.

For their 'Pack Rat' show they've created a set of prints in their trade mark red, white and blue based on their fascination with collecting inspired from items within their archive. These prints aim to make the ephemeral momentarily more permanent, examine the beauty of vernacular design and draw to attention how the everyday is worthy of wall space.

Pack Rat exhibition by Crispin Finn

Alongside the prints they are showing t-shirts, notepads, greeting cards and other items designed by them, all in red, white and blue!

Pack Rat exhibition by Crispin Finn

Pack Rat exhibition by Crispin Finn

Crispin Finn is a small, London based design partnership. Founded and run by Anna Fidalgo - a graphic designer and Roger Kelly - a fine artist, their shared love of screenprinting, stationery and vernacular design inspired them to collaborate and develop their trademark style.

Working predominantly in red, white and blue, a restriction they initially set themselves in order to hand produce simple and affordable designs, the colour scheme has become part of the Crispin Finn identity.

Pack Rat exhibition by Crispin Finn

The exhibition runs until 13th November.

View more photos of the exhibition here

View prints from the exhibition plus other items by Crispin Finn here

Friday, 17 June 2011

Sunny Side Up by Andy Smith Private View Friday 24th June

Sunny side up

‘Sunny Side Up’
Exhibition by Andy Smith at Soma Gallery, Bristol
25th June 2011 – 20th August 2011

Private View Friday 24th June 6-9pm

Next Friday we will be hosting the private view for our new exhibition by Andy Smith. Our customers (and those of you reading this!) are invited to this preview for a browse of the work, to meet Andy in person and to have a few drinks and nibbles.

The artwork will be available to view and buy on the website over the weekend for those of you not able to get to Bristol.

Hastings based illustrator Andy Smith studied at Brighton University and the Royal College of Art. When not busy working for clients such as Orange, Nike, McDonalds, The Guardian and Faber and Faber he can be found in his studio by the sea in Hastings printing books and posters which he has exhibited in the UK, France, USA and Australia. Specialising in silkscreen printing Andy’s work combines illustration and typography to create images with humour, energy and optimism, executed with a handmade tactile feel. Illustrating for 12 years, his work has won D&AD, Creative Circle and AOI awards and been featured in numerous books and publications.

His summer show at Soma Gallery in Bristol will include a set of 12 new large artworks, hand screenprinted by Andy and featuring his distinct hand lettering and visuals. They deal with bold statements, strange visitors, warnings from gurus, the thoughts of Captain Scott and other random themes. Accompanying these prints will be an eclectic collection of new 3D arrows and moose heads, totes, stickers and one sad lonely, goldfish.

The Lonely goldfish

Great God!

There's a couple more teaser images on our flickr page here.

View all prints by Andy Smith at Soma Gallery.
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